El arte nuevo, pieza forzada en el puzle metafísico de Ortega

Authors

  • Enrique Ferrari Nieto Uinversidad Internacional de la Rioja UNIR

Keywords:

avant-garde arte, autonomy, ontology, novel, escape

Abstract

Between 1921 and 1925, Ortega studied what he calls the new art or the young art: names to refer the avant-garde art. He publishes The Dehumanization of Art: an intelligent reflection, that he justified because he wants to know the different disciplines of his time. But the absence of references to authors, works and movements opens two new directions: 1) The discrediting of his work as the analysis of the avant-garde art. 2) Its metaphysical development: the role of art as a possible mechanism to escape the man of his everyday reality: cornerstone of the worldly metaphysics of Ortega.

References

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Ortega y Gasset, J., “El arte en presente y en pretérito”, en: Idem, Obras completas, Taurus, Madrid, 2004, III.

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————, Ideas sobre la novela, en: Idem, Obras completas, Alianza Editorial, Madrid, 1983, III, p. 411.

————, La deshumanización del arte, en: Idem, Obras completas, Alianza Editorial, Madrid, 1983, III.

————, La deshumanización del arte, en: Idem, Obras completas, Taurus, Madrid, 2004, III.

————, “Para la cultura del amor”, en: Idem, Obras completas, Taurus, Madrid, 2004, II.

————, “Prólogo para alemanes”, en: Idem, Obras completas, Taurus, Madrid, 2004, IX.

Silver, P., Fenomenología y razón vital. Génesis de “Meditaciones del Quijote” de Ortega y Gasset, Alianza Editorial, Madrid, 1978.

Žižek, S., Arriegar lo imposible (conversaciones con Glyn Daly), Editorial Trotta, Madrid, 2006.

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Published

2024-11-20

Issue

Vol. 1 No. 2 (2012)

Section

Philosophy

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